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Код работы: | 22997 | |
Дисциплина: | Филология | |
Тип: | Курсовая | |
Вуз: | Неизвестен - посмотреть другие работы и дисциплины по этому вузу | |
Цена: | 390 руб. | |
Просмотров: | 1686 | |
Выложена: | 04 июля 2017г. | |
Содержание: |
Content Introduction 3 1. Study of peculiarities of the silent films 5 1.1. Historical aspects of development of silent films 5 1.2. Sound and film technology in the 1920-s 10 1.3. International film distribution: the foreign language problem 12 2. The early era of sound films 15 2.1. Problems of introduction sound into the films 15 2.2. Development of dialogues in the early sound films 22 Conclusion 25 References 27 Appendix. The list of suggested Films 29 |
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Отрывок: |
‘If George Valentin could speak, he’d say “Wow! Victoire! Génial! Merci! Formidable! Merci beaucoup!”’. These words were spoken by the French actor Jean Dujardin during the Academy Awards ceremony held in February 2012 in Hollywood, Los Angeles. He had just won his first Oscar for Best Actor for his role as the 1920s silent film star George Valentin in the film The Artist. He is the first French actor to win the famous gold statuette for Best Leading Actor. That same night at the Academy Awards in Hollywood, The Artist won the Oscar for Best Picture. The last time a silent film won the Oscar for best film was the year 1929, during the Academy’s first ever ceremony. The success of The Artist has led to a renewed interested in the history of silent film and the introduction of sound. So what would George Valentin have sounded like in the 1920s if he could speak? This guide will introduce you to the key developments in the introduction of sound to cinema and the different approaches taken by different countries. The term paper is devoted to the study of the history of the silent films and their turn to the sound films. [...] | |
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